Welcome to the APME Memphis 2025 conference. Here, you’ll be able to register for the conference and update your Sched profile. The conference schedule will be available in late spring 2025. At that time, you can view the schedule and select the presentations you’d like to attend. If you have any questions, please visit our conference website or contact us at conference@popularmusiceducation.org We look forward to coming together as a community June 4–7, 2025.
Researchers have found that popular music ensembles can increase participation in school music programs and often produce increased student engagement and motivation. Yet, as the number of ensembles grows, there is no standard format for how popular music ensembles operate, and teachers often lack training in popular music pedagogies. Little is understood about why students are motivated in these classes, and teachers can often conduct these groups in controlling ways that harm students’ motivation. Self-determination theory posits that students who experience support for their basic psychological needs will be more motivated in their classes, have increased well-being, and be more likely to continue engaging with music. Using the self-determination theory as a framework, I examined student motivation in three popular music ensembles in the Northeast United States. Qualitative data was collected through interviews with students and observations of each ensemble. Findings suggest that students enroll in these ensembles because of intrinsic desires to play music and learn to play instruments in a way that differed from their previous school music experiences. Classes incorporating more in-formal and non-formal music learning techniques better satisfy students’ basic psychological needs, thus helping students develop intrinsic motivation for making music. The psychological need for relatedness was the most common contributor to student motivation, yet students with less relatedness support often had lower competence satisfaction. More autonomy-supportive teachers had more high-quality engagement from students, whereas controlling teachers thwarted student motivation in popular music classes.
